Courtney Porter
My current favorites are the Sare Floor Lamp and the upcoming MetLife table. My favorite interior design project was a residential home in Bebek, Istanbul. I designed it during covid, and despite the dreary circumstances, I felt proud to create designs that reflect a more positive and fun world. That project makes me happy every time I see the images.
Companies like Estonia-based Raiku have a solution for the luxury packaging industry that sits at the intersection of these issues. Their compostable packaging is designed with luxury products and consumers in mind and doesn’t end up in landfills. I spoke with one of Raiku’s co-founders, Karl J Pärtel, about the barriers manufacturers face in adapting compostable packaging, creating a luxury product and addressing the urgency of environmental issues.
After branching out on her own, Trousdale noticed a change taking place in the industry: Clients were becoming more familiar with product. There was growing pressure to present clients high level design with an element of surprise. Who and where could she turn to find the industry support and resources she needed to keep up with this shifting tide? Turns out she wasn’t the only designer noticing the trend. As a result, Trousdale launched Circaphiles in 2020, which connects and empowers professionals in the design industry by providing educational resources, networking opportunities, and access to unique sources, vetted by peers designing at a high level.
In 2023, he launched an online store, Ryan Saghian Mode-De-Vie, which features a curated collection of furnishings, art, and accessories from his favorite trade vendors and artisans. He is one of the first interior designers to embrace the metaverse with his own virtual showroom, optimized for a fully interactive VR experience. Saghian received his Bachelor’s of Science in Interior Architecture and Design from the Art Institute of California.
AI tools like Firefly are going to make in the design industry is to the designer’s workflow. Adobe Firefly is render-independent and makes notes and adjustments within seconds of receiving them from the user. The rate at which it learns and implements changes accurately and quickly depends on both machine training and artful human-user prompting.
John Conrad’s career in home furnishings has spanned nearly five decades. From furniture rep to executive director of the International Society of Furniture Designers to design podcast host, he’s worn many hats and still has his finger on the pulse. In conversation with DNN Editor in Chief Courtney Porter, John Conrad discusses what’s changed and stayed the same in the industry, what it’s going to take to make the industry attractive to young talent, and what keeps him excited about the industry.
For designers entertaining the idea of opening their own store, Christopher Kennedy offers some sage advice. “Running a design firm, sometimes you are your own best customer,” he said. “Owning a retail store is really useful when you need to pick up some accessories last minute to art a photoshoot. You really need the same level of dedication to both [your firm and store] to maintain a cohesive brand. And you can get burned out trying to do it all.” Kennedy admitted that he was too hands-off with the retail side of the business, focusing heavily on design clients. He took some time to step back and reevaluate how he could best serve his clients and community. The result is a new, tailored showroom, tucked into a business center in downtown Palm Springs. It doesn’t have the same tourist foot traffic as the previous space, but it’s calm, crisp, and feels like home.
Sustainability was always part of Greg Roth’s personal ethos, but it didn’t become the central focus of his professional life until Stephen Pallrand challenged him to design a home with zero carbon footprint. The project was Casa Zero and would become the first CarbonShack case study house in Los Angeles.

