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Salvatori’s unwavering commitment to sustainability is further underscored by other creations like Lithoverde®, Romboo, Lost Stones, and the newly introduced Passepartout. These designs exemplify the company’s belief that elegance and environmental consciousness can coexist seamlessly. Patchwork stands as a tangible step towards a more sustainable future, aligning perfectly with Salvatori’s promise to prioritize the Earth’s natural resources.
Like cliques in high school, social media can be fickle. One day, a platform is the place to be, and all the cool kids are hanging out there. The next day, they’ve moved on to somewhere else. One day, the popular kids love all your posts. They comment on them. They share them. The next day, for reasons known only to them (and the algorithms), they stop paying much attention to what you have to say.
Global design company, West Elm, a portfolio brand of Williams-Sonoma, Inc. (NYSE: WSM), the world’s largest digital-first, design-led and sustainable home retailer, announced today the launch of a new collaboration with Joseph Altuzarra, the founder and creative director of luxury women’s ready-to-wear fashion brand, Altuzarra. The Joseph Altuzarra for West Elm Kids collection features furniture with elevated finishes as well as textiles and decorative accessories that are infused with Altuzarra’s own hand-drawn motifs. Created as a love letter to his two daughters, the sophisticated collection celebrates the signature artistry of Altuzarra while maintaining kid-friendly functionality.
The Kips Bay Decorator Show House Dallas will benefit two local charities: Dwell with Dignity, a nonprofit agency dedicated to creating soothing, inspiring homes for families struggling with homelessness and poverty, and The Crystal Charity Ball, another Dallas-based organization whose mission is to aid, support and make contributions to children’s charities in Dallas County.
When do you know the work is finished? When do you step away? That was a problem Kristi always struggled with as a visual artist and one many creatives will find relatable. Something finally clicked during her recently completed project: a chic, feminine flat in Los Angeles that was, “all about the furniture.” When reflecting on what would become her favorite residential project, she recalled trying to put her client’s art collection on the walls. It was beautiful but it “never felt right.” That’s when she realized, that was because it was unnecessary. “There are sometimes when undone is done.”
But Christopher’s skills extend far beyond the realm of festive holiday party decoration. He’s the go-to designer for crafting unforgettable moments, whether it’s through lavish private parties, fairy-tale weddings, or prestigious events like the Academy Awards and luxury car launches. And it’s that sensibility he brings to his interiors as well and to Fairfield Chair’s Third Annual Virtual Design Challenge.
Vibrant mature consumers are the top 20% of spenders in the 50-70 age group — it’s also a group that tends to be happier and more active than other mature consumers. Despite their ability to spend, they can be overlooked by retailers, brand marketers and even interior designers because they don’t drive trends and account for a lower percentage of overall consumer spending than younger generations.
Science in Design’s Co-founder Linda Kafka commented, “Science in Design is dedicated to teaching design and trade professionals about the positive effects of beauty, nature, and fine design. Science now proves that design has the power to create pleasure and beauty, which positively impacts our emotions and physical health.”
The annual GATHER 2023 conference of the American Society of Interior Designers concluded yesterday in Los Angeles. GATHER brings together every facet of the interior design realm, offering a platform for residential and commercial designers, industry collaborators, educators, students, and experts in the constructed environment to delve into the industry’s current state.
On December 21st, 2021, the establishment of Architectural Workers United (AWU) ignited a nationwide discourse concerning architectural labor and its value within a system fraught with exploitation. It has slowly been gaining traction ever since. AWU represents a collaborative initiative of architectural professionals hailing from various firms, united in their pursuit to revolutionize the industry through grassroots efforts. Notably, the United States currently lacks a prominent private sector union for architects. While a union briefly existed prior to World War II, the past five decades have seen a void in election activity.