Designing the modern mountain home

The landscape is still the muse

Let’s begin with what’s remained constant: From the start, mountain homes have been shaped by the terrain, but the earliest iterations were purely functional. They were constructed with local materials. Simple A frames used local wood for warmth, stone for stability and were oriented toward protection and separation from the elements. Over time, however, the setting itself became the inspiration and brought indoors. The wilderness is no longer merely the backdrop. Modern mountain homes, thus, emphasize a greater connection between inside and out.

Big Sur Cabin Studio Schicketanz | Photographed by Joe Fletcher

For Studio Schicketanz, whose Big Sur Cabin II project sits in a redwood forest along a creek on California’s rugged coast, the inspiration came from the immediate environment of the historic cabins and Charles Moore’s iconic Johnson House, which is located nearby.

Across the Rockies, designer Deana Lenz brought similar intentionality to a ski-in, ski-out home perched high above Telluride. “I wanted to reinvent the idea of a traditional ski house by making this home a work of artisan pieces that speak to the wood, stone and metals of the interior walls,” she says. “Nature was the constant inspirational palette throughout each room.”


Defining “mountain modern” style

Modern mountain homes range, stylistically from rustic tradition to refined contemporary, but are often playing with a tension between the two. The rugged forms of early cabins have evolved into minimalist, geometric silhouettes, yet the warmth of timber and stone remains. This balance defines the “mountain modern” style: where clean geometry – glass and perfect 90 degree angles– meet earthy textures. These stylistic decisions are driven by evolving modern lifestyles and sustainability standards.

In Big Sur, Studio Schicketanz confronted this duality head-on. “The biggest challenge was respecting the intimate scale of the historic rustic cabins while still providing rooms that met modern spatial standards and expectations,” she says. Their solution included modest massing paired with meticulous craftsmanship bridging the mountain aesthetics of the past with the sensibilities of modern living.

In Telluride, Lenz translated that balance into a language of craftsmanship and restraint. “Our furniture selections were more artisan than a typical mountain ski home,” she says. “The seating pieces have clean-line silhouettes so they don’t compete with the views and still provide comfortable seating environments.”

In the Sierra Nevada, Steve Pallrand, founder of Home Front Build, whose California mountain cabin rebuild sits on Forest Service land, the challenge was to honor the historic vernacular while allowing modern sensibilities to emerge inside. “The cabin is required to blend with the historic style of the existing cabins,” he says. “On the interior, I wanted to reference my childhood in the Adirondacks — I milled small tree trunks into halves and quarters for all the window casings and battens.” His inventive approach culminated in a dramatic gesture: installing salvaged oak trees upright within the structure. “I wanted to feel a part of the forest, not separate from it,” Pallrand says. “Now I sit inside, amongst the trees, while enjoying the view of the trees outside.”

Often, the installation for a mountain home, up narrow and winding roads, is a feat in itself. In the case of Pallrand’s California mountain cabin, installation required hauling 16-foot oaks up a dirt incline with a front loader before the roof went on.


Sustainability and modernity

Today’s mountain homes embrace not just design ingenuity but environmental responsibility. They are built to withstand the changing climate, blending craftsmanship with cutting-edge resilience.

In Big Sur, Studio Schicketanz used redwood salvaged decades earlier by the clients, turning fallen giants into cabinetry, framing, and furniture. 

For Pallrand, living in the California forest demanded a pragmatic, even humble, shift in philosophy. “I used to reject any suggestion of composite or non-wood cladding,” he says. “But when living in the forest — which burns as part of its normal cycle — there’s no point in putting money into something unless you protect it from burning.” His solution was to clad the cabin in fire-resistant concrete shingles, install a metal roof that mimics wood shakes, and replace the wood-burning fireplace with an electric heat pump.

“The new cabin uses less energy, holds heat better in the winter, and is resilient to fire,” he says. “It’s biophilia — but not a one-way version where I just take from nature. It’s about creating harmony without harm.”

A similar harmony defines Sparano + Mooney Architecture’s approach, whose high-elevation retreat evolved from a dialogue between forest and meadow. “Our initial impression was one of wooded seclusion,” the architects say, “but during early site visits it was the clearing and adjacent meadow that surprised us and captured our attention.” The design became an exploration of balance — shade and sun, density and openness, structure and void.

Like Lenz’s ski chalet, the result is strikingly modern for its setting — clean geometry, board-form concrete, and expanses of glass. Even the home’s most technical elements, such as thermally modified radiata pine siding and UV-resistant barriers, were developed for both performance and poetry.

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For the owners, the house serves as a “meditation on nature,” a contemplative counterpoint to their bustling urban life. A transparent bridge connects living spaces, allowing full immersion in the surrounding evergreens, while the bath’s soaking tub sits against a wall of glass framing the forest beyond. “It became a place to immerse oneself in nature without necessarily leaving the home,” the firm says.


Designing for a new generation

For all the technological precision and sculptural ambition of today’s mountain architecture, the soul of these homes often lies in something quieter: the emotional imprint of those who inhabit them and their connection to the land the home is built on.

In northern lake country, PKA Architecture’s Pine & Clover captures this sensibility in a home that bridges generations. Built by Lake Country Builders with interiors by O’Hara Interior Design, the cabin replaces an aging family retreat while preserving its spirit. “We approached this project listening to the story our clients unfolded for us,” the firm recalls. “It’s a place in which the memories live on in them, and in turn in the new cabin.”

Nestled among pines, birches and aspens along a private lake, the new residence is composed of three linked pavilions — two for private bedrooms and one for gathering — connected by a low-profile flat roof that introduces a quietly modern rhythm to the wooded site. “The roof gives breathing room between forms,” PKA says. “It gives it a more modern feel while still nodding to the traditional gabled pavilions.”

The team chose to repurpose siding from the old cabin inside one of the guest bedrooms — a tactile reminder of the past, while injecting the new home with playful, fresh color: a green kitchen, a red bath, and a sunny yellow front door. “The punch of color brings lively moments to specific spaces,” the architects explain, “without overwhelming the overall feel of the cabin.”

Sustainability and longevity also guided their decision making. The home’s geothermal system and solar panels minimize its environmental impact, while its single-level layout ensures accessibility for generations to come. 

In the modern mountain home, the past and the future converge:  rugged meets refined, and solitude meets sophistication. The mountain home has come full circle — from humble refuge to architectural art form — yet its essence remains constant: a sanctuary shaped by nature. Whether nestled in a forest, perched above a lake or clinging to a mountainside, today’s designs reflect an eternal aspiration to live beautifully and sustainably, in harmony with the landscape.

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