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The O’Hare Way: A design family’s approach to creativity

In a multi-generational portrait of design lineage, the O’Hare family reveals how immersion, curiosity and kindness shape creative lives across decades, from factory floors abroad to sketchbooks at the kitchen table. For designers and manufacturers alike, their story offers a timely reminder that innovation is less inherited than cultivated through proximity, mentorship and a sustained attention to the world’s smallest details.

House of Rohl’s strategic leadership appointments support leading position in luxury home décor

House of Rohl® expanded its portfolio with the acquisition of Emtek® and Schaub®, leaders in customizable cabinet and door hardware, in 2024. The addition of these brands alongside Riobel®, Perrin & Rowe®, Shaws®, Victoria + Albert®, and ROHL® has strengthened the portfolio’s position as a trailblazer in luxury plumbing and hardware for the kitchen and bath, and continued to broaden its offering across the luxury home décor landscape. By integrating both plumbing and hardware, the new House of Rohl delivers curated, stylistically aligned collections with shared finishes, simplifying specification while upholding the unmatched craft, service, and heritage that define its portfolio of prized brands. Today, House of Rohl welcomes seasoned industry leaders to help accelerate that momentum.

Meet Hubbardton Forge’s new Design Advisory Council

Hubbardton Forge, a luxury lighting manufacturer with over 200 employees based in Castleton, Vermont, announced that their Design Advisory Council, launched in 2023, is adding five (5) new key interior designers who join charter DAC members Christopher Todd, Jeanne Chung, Joshua Smith, Shay Geyer and Tim Green.

Shoppe Object names Jo Faulkner artist of the season

London-based Faulkner is recognized for her expressive approach to capturing countryside vistas and floral studies, working across watercolor, gouache and oil.

Humanism in architecture: The nature of John Lautner

This article examines the humanist dimension of John Lautner’s architecture through his integration of structure and landscape in postwar Southern California. Tracing influences from Frank Lloyd Wright’s Organic Architecture to Lautner’s “total concept” approach, the piece situates iconic works such as the Polin House and the Chemosphere within a broader cultural context shaped by film and popular media. These houses are read not merely as formal experiments but as emotional and psychological environments that frame solitude, desire and retreat.

By linking architectural form to cinematic narratives and lived experience, the essay argues that Lautner’s work extends beyond spectacle into a philosophy of dwelling grounded in nature. His buildings function as instruments of communion with the environment, offering their occupants both refuge and confrontation with the vastness of the landscape. In doing so, Lautner emerges as a central figure in a distinctly Californian strain of modernism that unites humanism, technology and terrain.