Future of Design

Keith Haring stands as an icon of a generation of artists; he was a pioneer in an era where art was a call to the masses. In the 1980s, Haring’s artistic practice blended historically disparate cultures; he was highly celebrated for his achievements in public artwork while simultaneously a massively successful figure in the gallery world. It is, thus, a natural extension of his legacy for his art to continue to bridge today’s artistic cultures – fusing the physical art world with the world of Web3.

Science in Design’s Co-founder Linda Kafka commented, “Science in Design is dedicated to teaching design and trade professionals about the positive effects of beauty, nature, and fine design. Science now proves that design has the power to create pleasure and beauty, which positively impacts our emotions and physical health.”

Consumers who wanted to shop in-store sometimes and online at other times forced retailers to become omnichannel, offering their wares through brick-and-mortar stores and e-commerce sites. But omnichannel is not enough. Consumers increasingly want to shop in the “phygital world,” where technology speeds and improves the in-store browsing and buying experience.

In a survey conducted by consumer experience and insights firm WD Partners last year, more than 71% of respondents said they shop secondhand at least once a month. Some 11% do so daily. (I’m thinking most of those folks are collectors or resellers themselves; some might be people with shopping addictions.) But another 26% shop secondhand weekly and 33% do so monthly. Their reasons vary: Some like the fun of seeking out “treasures.” Others want to save money and still others like the sustainability of buying used items or, in the parlance of auto dealers, preowned products.

Brought to you by Science In Design Founder, Mike Peterson, President, of Visionary Design Marketing, and Co-founder, Linda Kafka, President, of Livable Environment Inc., the inaugural Design, Art & Science Symposium will offer innovative education, from the leading experts and scholars in the field of science and design as well as networking, experiential exhibits, product discovery, innovation and inspiration.

AI tools like Firefly are going to make in the design industry is to the designer’s workflow. Adobe Firefly is render-independent and makes notes and adjustments within seconds of receiving them from the user. The rate at which it learns and implements changes accurately and quickly depends on both machine training and artful human-user prompting.

Sustainability was always part of Greg Roth’s personal ethos, but it didn’t become the central focus of his professional life until Stephen Pallrand challenged him to design a home with zero carbon footprint. The project was Casa Zero and would become the first CarbonShack case study house in Los Angeles.